Stop Fighting Skin Tone. Start Grading Like A Colorist.
The complete system for grading Black and brown skin so it looks rich, clean and cinematic — every single time. No more orange faces. No more muddy shadows. No more guessing.
You Can Edit. The Colour Is What's Holding You Back.
In 30 days you'll grade any skin tone with confidence — and charge like it.
You'll stop guessing and start working from a repeatable system: read the image, balance it, protect the skin, build the look. The same workflow used on commercials, music videos and features — taught in plain language, on real Nigerian footage, with the exact node trees you can copy tonight.
Get Instant Access8 Modules. One Complete System.
Pre-recorded, self-paced, lifetime access. Watch in order or jump straight to the fix you need today.
How Colour Actually Works
Colour theory for editors — hue, saturation, luminance, colour spaces and why your monitor is lying to you. Set up a workspace you can trust.
Reading The Image With Scopes
Waveform, vectorscope, parade and the skin tone line. Learn to diagnose any shot in ten seconds instead of eyeballing it.
Balancing & Normalising
Log, Raw and Rec.709 footage. Correct exposure and white balance properly so every grade you build after this holds together.
Skin Tone Mastery
The core of the course. Grading deep, medium and light skin without going orange or grey — hue vs hue, qualifiers, tracked masks and protecting texture.
Building The Look
Contrast curves, colour palettes, split toning, halation, grain and bloom. Design a look on purpose instead of scrolling presets.
Shot Matching At Speed
Match a full scene shot by shot — mixed cameras, mixed lighting, changing daylight. Node trees and group grades that scale.
Building Your Own LUTs
Create, test and export house LUTs and PowerGrades that work across projects — plus how to build a signature look clients recognise.
Delivery & Getting Paid
Export settings for cinema, broadcast and social. Then the business side: pricing colour work, client sessions, revisions and landing higher-paying jobs.
Worth ₦500,000. Yours For ₦300,000.
Who This Is Built For
This is for you if…
- You're a video editor who wants colour to stop being the weak link
- You shoot or edit content and want it to look expensive
- You work with Black and brown skin and want it graded with respect
- You want to add colour grading as a paid service
- You're a complete beginner willing to follow a system
- You're self-taught and full of gaps you can't name
This isn't for you if…
- You want a one-click LUT and nothing else
- You won't open your software and practise
- You're already grading features professionally
- You're looking for a quick-money scheme, not a craft
Before You Enrol
No. Module 1 starts from zero. If you can open an editing timeline, you can follow this. Experienced editors can skip ahead to Module 4.
The lessons are taught primarily in DaVinci Resolve, including the free version. The principles transfer directly to Premiere Pro, Final Cut and After Effects — the scopes and the theory are the same everywhere.
Forever. One payment, lifetime access, including every future update to the course.
Most students work through it in about 30 days at a few hours per week. It's pre-recorded and self-paced, so there's no schedule to keep up with.
No. We cover how to get accurate, trustworthy results on modest setups, and what to upgrade first when you're ready.
Payment is made securely at checkout via card or bank transfer. For instalment options, message us on Instagram and we'll sort it out.
Your Edits Are Ready. Your Colour Isn't. Fix That.
The gap between a good editor and a well-paid one is almost always colour. This is the system, the footage and the LUTs — at ₦200,000 off.